Theatre in English
Theatre in English is a project organized through the Seminar for English and American Studies at the Europa University Flensburg. In TiE we give our students the opportunity to practice their English skills through performance.
Hamletmachine 2007
Written by Heiner Müller
Translated by Carl Weber
UGA University Theatre / Atlanta’s 7 Stages
Media Director
As promoter of the initial concept and Media Director, HM 2007 was my “proof of concept” piece for my research into the media actor. Produced as a collaboration between UGA University Theatre and Atlanta’s 7 Stages Theatre, HM 2007 was directed by Del Hamilton and featured the UGA Graduate Acting troupe as well as Assistant Professor Mirla Criste.
Below are samples of the publicity I did for this production. An article in the local Shifting Scenes was also published for this production.
Tryptich
Written by Edna O’Brien
UGA University Theatre / Second Stage 2006
Director / Designer
Tryptich was a second-stage production done with minimal budget, a project designed to focus on the acting and directing.
Hamletmachine 2004
Written by Heiner Müller
Translated by Carl Weber
BGSU Eva Marie Saint Theatre
Director / Designer
This 2004 production of Hamletmachine represents my Masters thesis project, researching the role of media agency on the stage. You may access the thesis portfolio paper here.
The Ticket
Written by David Zellner
UGA Cellar Theatre / Second City’s Donny’s Skybox
Director
A joint production between the UGA Interactive Performance Laboratory and Second City’s Studio Z, The Ticket is an improvisational performance based on the commedia dell’arte style, in which the media, chosen at the show’s opening, drives the improv.
Anna in the Tropics
Written by Nilo Cruz
UGA University Theatre
Dramaturg
The art of dramaturgy involves a good deal of research. Part of my research for Anna in the Tropics involved a trip to Ybor City, Florida to visit the factories and shantys that were once the homes and workkplaces of numerous Cuban immigrants in the Florida tobacco trade.
The Laramie Project
Written by Moisés Kaufman
BGSU Joe E Brown Theatre
Scenic / Media Designer
The small space in the Joe E Brown Theatre required a multi-use acting area with multiple levels. The director wanted a stark feel which could incorporate media, some of which was environmental, other clips were integrated into the action (press conferences, newscasts, etc).
Vinegar Tom
Written by Caryl Churchill
BGSU Joe E Brown Theatre
Scenic Designer
The multi-use acting space is surrounded by dead branches and brush culled from local trees, wired with green-glowing eyes that watch every movement on stage. This modern re-imagining of the events of the Salem Witch Trials is at once haunting and poignant.
Press Releases
A sample of the many press releases and short articles written during my time as Publicity Coordinator for the UGA Department of Theatre.
PDFs viewable through Google Docs Viewer.
Creative Solutions Designs Group
CSDG was a graphic design and printing firm in Kingsport, TN, offering design solutions and printing to small businesses in Kingsport. Unfortunately most of our files can no longer be recovered, but here are a few samples of the work we did.
PDFs of the newsletters and brochure can be viewed here.
BGSU Department of Theatre and Film
As Publicity Coordinator, I was responsible for promoting a number of events and programs while at BGSU. These are a few samples of that work.
PDFs of the brochure and newsletters can be seen here.
UGA University Theatre
Besides production postcards, as Publicity Coordinator I produced a number of other advertisements and promotional materials for the department. Here are a few samples.
PDFs of brochure and program may be found here.
Journal Articles
Published articles and reviews. Full-text PDFs can be viewed here.
pal.Hamlet
pal.Hamlet was the virtual double of live actor Norman Ferguson, who played Hamlet in our remediated production of Hamletmachine. The concept behind this production was that Hamlet himself was split, his personality fragmented, and the negative forces within him manifested themselves as pal.Hamlet, a virtual Doppelgänger who lived in Hamlet’s mind. pal.Hamlet drives Hamlet when he is unable to act for himself, driving him to the darker actions of the play, including the rape of his mother.
For our production, I led the media team charged with bringing pal.Hamlet to life. As the main focus of my research into Posthuman Theatre, I saw pal.Hamlet as an example of the acting machine, an animated avatar driven by the action onstage.
More information about the production can be seen here.